Additional Resources - Spring 2021
(updated 3/30/21)
IN THE NEWS:
Madison’s American Players’ Theatre Summer 2021 Season Announcement
Week 8
More from Edward Grieg
Vocal version of “The Last Spring” (click CC to see English subtitles)
Complete Peter Gynt Suite No. 1 (the famous “morning” theme occurs in the first movement)
In the Hall of the Mountain King - usages in film and commercials
Fun cartoon version of the story of Peter Gynt (1959)
Rowan Atkinson cooks dinner to the soundtrack in Johnny English Reborn (Atkinson, best-known for his physical comedy, has a brilliant and hilarious choreography here)
Electronic arrangement in longboat race scene of The Social Network
“In the Hall of the Pringles King” (performance on Pringles chip cans)
More from Jean Sibelius
Violin Concerto in D Minor (David Oistrakh, violin)
Symphony No. 2 (finale)
Week 7 - The Avant-Garde
“The Apprehension Engine” Jim was talking about
If you’re unfamiliar with music of this nature, I highly recommend watching this ~10 minute video before delving into the examples:
Is This Even Music? John Cage, Schoenberg, and Outsider Artists
More from John Cage
59.5 seconds for a string player
Roaratorio: An Irish Circus on Finnegans Wake
Interview: John Cage about silence (1991)
4’33”
John Cage’s 4’33” explained: the music of silence
Death Metal Cover by Dead Territory
NOLA the Cat Performs 4’33” on The Late Show with Stephen Colbert (November 2015)
A darker, poignant, and sadly, timely example of the 4’33” performative concept: Emma Gonzalez’s March for Our Lives speech (2018)
More from George Crumb
Interview: Vox Hominis with George Crumb
Whales and Music
Orcas Sing Along to Guitar Tunes
Week 6
More from Aaron Copland
Day at Night: Aaron Copland, composer (1970s interview)
Appalachian Spring
Video of original 1944 production of Appalachian Spring
“Simple Gifts” 1848 hymn version (quoted by Copland)
More from Leonard Bernstein
Symphonic Suite from “On the Waterfront”
“Masque” from Symphony No. 2 “Age of Anxiety”
Young People’s Concert: “What Does Music Mean?”
Bernstein, The greatest five minutes in Music Education
Leonard Bernstein presents 7-year-old Yo Yo Ma’s high-profile debut for President Kennedy (November 1962)
Different takes on “Somewhere” (“There’s A Place For Us”)
Richard Beymer and Natalie Wood in 1961 film version of WSS
West Side Story 2020: In the Rehearsal Room - recorded exactly a year ago, a British cast of WSS records “Somewhere” shortly after learning their production was cancelled due to the pandemic.
History and Subtext of "West Side Story”
Sarah Fishko, “The Real-Life Drama Behind 'West Side Story'" NPR, January 7, 2009
David LaFontaine, “Inside West Side Story” The Gay and Lesbian Review, November-December 2017 (EXCERPT)
Memorable performance of “Mambo”: Gustavo Dudamel and the Simon Bolivar Youth Orchestra
Week 5
The role of technology in promoting different musical genres
Forefront of a Revolution: The Integration of Modern Technology in Classical Music
This is an article I wrote for The Penguin, New England Conservatory’s student newspaper exactly ten years ago, in early 2011 (the version above was published on Polyphonic.org in 2012). The topic centers on the role technology played in promoting Jazz in its genesis, and how classical musicians are embracing technology in the present-day. This was one of my favorite articles I wrote for the paper, since it really changed my perspective on how technology and culture influence the evolution of new music. My interview subjects were two of my favorite professors, Paul Burdick (who taught a variety of different classes, including Solfege, Community Outreach and Music and Technology) and Nicholas Kitchen, who was (and remains) the first violinist of the Borromeo String Quartet. Presciently, at the end Burdick predicts a time when people would collaborate over the internet a decade into the future—we need to buy that man a Sam Adams!
More from Scott Joplin:
Pleasant Moments - Ragtime Waltz
Scott Joplin mini-documentary ~12 min:
The Incredible Story of America’s First Pop Star
James’s arrangement of the Maple Leaf Rag on viola (March 10, 2021)
Some more hits from the Original Dixieland Jazz Band:
Historical perspectives
1917: Original Dixieland Jazz Band (podcast, ~30 minutes)
More from George Gershwin:
“Summertime” from Porgy and Bess
Gershwin performs his own “Variations on I Got Rhythm”, April 30th, 1934
Piano Concerto in F Major (Yuja Wang, piano)
Rhapsody in Blue in culture
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More info on Creative Ability Development!
Breaking the Tradition of Imitation: Creativity in Music Education and Performance (2015 article by Alice Kanack on the origins and philosophy of CAD)
2016 CAD class at Music Institute of Chicago (this gives you an idea of what a typical class looks like; I taught this class for a couple years and we had prepared the video for a faculty development session.)
There’s No Such Thing As A Mistake (1995 documentary shot in NYC)
CAD Tour Group (video from a 2013 performance at the Kanack School)
Jessie Montgomery (CAD alum and prominent American composer)
Kanack School of Musical Artistry (Kanack School main page)
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Week 4
Issues of Gender Equality in Classical Music
Classical Music’s Gender Gap (great ~five-minute video on the history of women composers in western music)
Emily Hogstad, “Why Are Pioneering Female Composers So Neglected?” Song of the Lark, April 30, 2017.
Feminist in the Concert Hall (blog of Women’s Philharmonic Advocacy)
Ruth Bader Ginsburg on Women in Music | The Kennedy Center
More from Hildegard von Bingen:
Ordo Virtutum excerpt (contains slides of the musical notation Hildegard used in the 12th century)
International Society of Hildegard von Bingen studies
More from Clara Schumann:
Three Romances for Violin and Piano
More from Florence Price:
Andante Moderato from String Quartet in G Major
Brief (~15 minutes) documentary on Price’s life: The Caged Bird: The Life and Music of Florence B. Price
Week 3
More from Maurice Ravel:
Tzigane (Joshua Bell, violin)
Piano Concerto in D Major for the Left Hand (Yuja Wang, piano)
Daphnis and Chloe
Brief video on Ravel and the composition of Daphnis from the Boston Symphony
Sarah Hughes skates to the score during a gold medal-winning performance (Salt Lake City, 2002)
More from Claude Debussy:
Prelude to the Afternoon of a Faun
Cello Sonata in d minor (Sol Gabetta, cello)
Debussy performs his own Clair de Lune (on piano roll—an early recording technology)
More from Gabriel Fauré:
Requiem, Op. 48 (Atlanta Symphony)
Elegy, Op. 24 (Jacqueline du Pre, cello)
Different takes on “After a Dream”
Sheku Kanneh-Mason at the Royal Wedding, 2018 (*Fauré starts at the 3:30 mark)
More from Renée Fleming:
“Danny Boy” at John McCain’s funeral, 2018
Super Bowl National Anthem, 2014
“Song to the Moon” from Dvorak’s Rusalka
2002 Interview: Part 1; Part 2
Week 2
Pictures at an Exhibition
Original version for solo piano
Pictures at an Exhibition: About Victor Hartmann (includes images of the paintings that inspired Mussorgsky)
Michael Jackson quotes the “Grand Gate of Kiev”
More from Mussorgsky
The Planets
Mars inspirations:
Different takes on Jupiter:
“I Vow to Thee My Country” hymn setting
“Flash mob” performance by Berklee students, 2016
Neptune and beyond
“Pluto, Paradoxically, Joins the Planets” The New York Times, September 8th, 2006. (article on the addition of a Pluto movement by Colin Matthews, and issues that ensued when Pluto lost planetary status…)
Pluto, the Renewer (Colin Matthews, 2000) (an imagining of what a Pluto movement in The Planets might sound like)
Earth, the Bringer of Life (Clément Mepas, 2014) (an imagining of what an Earth movement might sound like)
Mars, Jupiter AND Neptune in the John Glenn launch sequences from “The Right Stuff”
Holst Documentary (25 minutes long, but well worth a watch!)
Memories of Gustav Holst (narrated by his daughter, Imogen)
More from Holst
Week 1
Also sprach Zarathustra opening in popular media:
2001: A Space Odyssey (1969 film)
Charlie and the Chocolate Factory (2005 film)
As introduction for Elvis Presley (1973)
Quote in John Williams’s Superman Fanfare
More from Richard Strauss
Ein Heldenlaben (A Hero’s Life)
Tod und Verklärung (Death and Transfiguration)
“Dance of the Seven Veils” from Salome
Complete cycle of tone poems from Smetana’s Má Vlast (My Fatherland)
Má Vlast, Janacek Philharmonic
Other settings of La Montovana, the inspiration for Smetana’s “Moldau” theme:
More from Smetana