Additional Resources - Spring 2021

(updated 3/30/21)

IN THE NEWS:

Seth Colter Walls, “With Zodiac, Mary Lou Williams Spanned Classical and Jazz” The New York Times, March 19, 2021.

Madison’s American Players’ Theatre Summer 2021 Season Announcement

Week 8

More from Edward Grieg

Holberg Suite

Cello Sonata in A Minor

Violin Sonata in C Minor

Piano Concerto in A Minor

Wedding Day at Troldhaugen

Vocal version of “The Last Spring” (click CC to see English subtitles)

Complete Peter Gynt Suite No. 1 (the famous “morning” theme occurs in the first movement)

In the Hall of the Mountain King - usages in film and commercials

Fun cartoon version of the story of Peter Gynt (1959)

Rowan Atkinson cooks dinner to the soundtrack in Johnny English Reborn (Atkinson, best-known for his physical comedy, has a brilliant and hilarious choreography here)

Electronic arrangement in longboat race scene of The Social Network

“In the Hall of the Pringles King” (performance on Pringles chip cans)

More from Jean Sibelius

Finlandia

Violin Concerto in D Minor (David Oistrakh, violin)

Symphony No. 2 (finale)

Lemminkainen’s Return

Week 7 - The Avant-Garde

“The Apprehension Engine” Jim was talking about

If you’re unfamiliar with music of this nature, I highly recommend watching this ~10 minute video before delving into the examples:

Is This Even Music? John Cage, Schoenberg, and Outsider Artists

More from John Cage

59.5 seconds for a string player

Imaginary Landscape No. 4

Roaratorio: An Irish Circus on Finnegans Wake

Interview: John Cage about silence (1991)

4’33”

John Cage’s 4’33” explained: the music of silence

Death Metal Cover by Dead Territory

NOLA the Cat Performs 4’33” on The Late Show with Stephen Colbert (November 2015)

A darker, poignant, and sadly, timely example of the 4’33” performative concept: Emma Gonzalez’s March for Our Lives speech (2018)

More from George Crumb

Night of the Four Moons

Black Angels

Solo Cello Sonata

Interview: Vox Hominis with George Crumb

Whales and Music

Orcas Sing Along to Guitar Tunes

Week 6

More from Aaron Copland

Fanfare for the Common Man

Lincoln Portrait

Hoedown from “Rodeo”

Quiet City

Day at Night: Aaron Copland, composer (1970s interview)

Appalachian Spring

Video of original 1944 production of Appalachian Spring

“Simple Gifts” 1848 hymn version (quoted by Copland)

More from Leonard Bernstein

Symphony No. 1 (“Jeremiah”)

Overture to “Candide”

Chichester Psalms

Symphonic Suite from “On the Waterfront”

“Masque” from Symphony No. 2 “Age of Anxiety”

Young People’s Concert: “What Does Music Mean?”

Bernstein, The greatest five minutes in Music Education

Leonard Bernstein presents 7-year-old Yo Yo Ma’s high-profile debut for President Kennedy (November 1962)

Different takes on “Somewhere” (“There’s A Place For Us”)

Richard Beymer and Natalie Wood in 1961 film version of WSS

Julie Andrews, 1977

Renée Fleming, 1999

West Side Story 2020: In the Rehearsal Room - recorded exactly a year ago, a British cast of WSS records “Somewhere” shortly after learning their production was cancelled due to the pandemic.

History and Subtext of "West Side Story”

Sarah Fishko, “The Real-Life Drama Behind 'West Side Story'" NPR, January 7, 2009

David LaFontaine, “Inside West Side StoryThe Gay and Lesbian Review, November-December 2017 (EXCERPT)

Memorable performance of “Mambo”: Gustavo Dudamel and the Simon Bolivar Youth Orchestra

Week 5

The role of technology in promoting different musical genres

Forefront of a Revolution: The Integration of Modern Technology in Classical Music

  • This is an article I wrote for The Penguin, New England Conservatory’s student newspaper exactly ten years ago, in early 2011 (the version above was published on Polyphonic.org in 2012). The topic centers on the role technology played in promoting Jazz in its genesis, and how classical musicians are embracing technology in the present-day. This was one of my favorite articles I wrote for the paper, since it really changed my perspective on how technology and culture influence the evolution of new music. My interview subjects were two of my favorite professors, Paul Burdick (who taught a variety of different classes, including Solfege, Community Outreach and Music and Technology) and Nicholas Kitchen, who was (and remains) the first violinist of the Borromeo String Quartet. Presciently, at the end Burdick predicts a time when people would collaborate over the internet a decade into the future—we need to buy that man a Sam Adams!

More from Scott Joplin:

The Entertainer

Overture to Treemonisha

Pleasant Moments - Ragtime Waltz

Scott Joplin mini-documentary ~12 min:

The Incredible Story of America’s First Pop Star

James’s arrangement of the Maple Leaf Rag on viola (March 10, 2021)

Some more hits from the Original Dixieland Jazz Band:

Tiger Rag (1917)

Margie (1920)

Historical perspectives

1917: Original Dixieland Jazz Band (podcast, ~30 minutes)

Geoffrey Hines, “This is the ‘Jass” Record That Introduced Millions of Americans to a New Kind of Music.” Smithsonian Magazine, February 2017.

More from George Gershwin:

An American in Paris

Summertime” from Porgy and Bess

Gershwin performs his own “Variations on I Got Rhythm”, April 30th, 1934

Piano Concerto in F Major (Yuja Wang, piano)

Cuban Overture

Rhapsody in Blue in culture

Fantasia 2000

United Airlines commercial

***

More info on Creative Ability Development!

Breaking the Tradition of Imitation: Creativity in Music Education and Performance (2015 article by Alice Kanack on the origins and philosophy of CAD)

2016 CAD class at Music Institute of Chicago (this gives you an idea of what a typical class looks like; I taught this class for a couple years and we had prepared the video for a faculty development session.)

There’s No Such Thing As A Mistake (1995 documentary shot in NYC)

CAD Tour Group (video from a 2013 performance at the Kanack School)

Jessie Montgomery (CAD alum and prominent American composer)

Kanack School of Musical Artistry (Kanack School main page)

***

Week 4

Issues of Gender Equality in Classical Music

Classical Music’s Gender Gap (great ~five-minute video on the history of women composers in western music)

Emily Hogstad, “In Which I Learn Why There Are No Great Woman Composers.” Song of the Lark, September 26, 2015.

Emily Hogstad, “Why Are Pioneering Female Composers So Neglected?” Song of the Lark, April 30, 2017.

Feminist in the Concert Hall (blog of Women’s Philharmonic Advocacy)

Ruth Bader Ginsburg on Women in Music | The Kennedy Center

More from Hildegard von Bingen:

Ordo Virtutum excerpt (contains slides of the musical notation Hildegard used in the 12th century)

International Society of Hildegard von Bingen studies

More from Clara Schumann:

Piano Concerto in a minor

Three Romances for Violin and Piano

More from Florence Price:

Violin Concerto No. 2

Ethiopia’s Shadow in America

Andante Moderato from String Quartet in G Major

Brief (~15 minutes) documentary on Price’s life: The Caged Bird: The Life and Music of Florence B. Price

Week 3

More from Maurice Ravel:

Bolero

String Quartet in F Major

Tzigane (Joshua Bell, violin)

Piano Concerto in D Major for the Left Hand (Yuja Wang, piano)

Daphnis and Chloe

Brief video on Ravel and the composition of Daphnis from the Boston Symphony

Sarah Hughes skates to the score during a gold medal-winning performance (Salt Lake City, 2002)

More from Claude Debussy:

Prelude to the Afternoon of a Faun

La Mer

Cello Sonata in d minor (Sol Gabetta, cello)

Debussy performs his own Clair de Lune (on piano roll—an early recording technology)

More from Gabriel Fauré:

Requiem, Op. 48 (Atlanta Symphony)

Elegy, Op. 24 (Jacqueline du Pre, cello)

Piano Quartet in C Minor

Different takes on “After a Dream”

Sheku Kanneh-Mason at the Royal Wedding, 2018 (*Fauré starts at the 3:30 mark)

Joshua Bell, violin

Janos Starker, cello

More from Renée Fleming:

“Danny Boy” at John McCain’s funeral, 2018

Super Bowl National Anthem, 2014

O mio babbino caro

“Song to the Moon” from Dvorak’s Rusalka

2002 Interview: Part 1; Part 2

Week 2

Pictures at an Exhibition

Original version for solo piano

Pictures at an Exhibition: About Victor Hartmann (includes images of the paintings that inspired Mussorgsky)

Michael Jackson quotes the “Grand Gate of Kiev”

More from Mussorgsky

Night on Bald Mountain

The Planets

Mars inspirations:

“Imperial March” (Williams)

“Gladiator’s Waltz” (Zimmer)

Different takes on Jupiter:

“I Vow to Thee My Country” hymn setting

“Flash mob” performance by Berklee students, 2016

Neptune and beyond

Commentary by Phillip Naumann on the writing of the Planets, especially performance practices for the famous Neptune offstage chorus

“Pluto, Paradoxically, Joins the Planets” The New York Times, September 8th, 2006. (article on the addition of a Pluto movement by Colin Matthews, and issues that ensued when Pluto lost planetary status…)

Pluto, the Renewer (Colin Matthews, 2000) (an imagining of what a Pluto movement in The Planets might sound like)

Earth, the Bringer of Life (Clément Mepas, 2014) (an imagining of what an Earth movement might sound like)

Mars, Jupiter AND Neptune in the John Glenn launch sequences from “The Right Stuff”

Holst Documentary (25 minutes long, but well worth a watch!)

Memories of Gustav Holst (narrated by his daughter, Imogen)

More from Holst

In the Bleak Midwinter

St. Paul’s Suite

Week 1

Also sprach Zarathustra opening in popular media:

2001: A Space Odyssey (1969 film)

Charlie and the Chocolate Factory (2005 film)

As introduction for Elvis Presley (1973)

Quote in John Williams’s Superman Fanfare

Verizon commercial

More from Richard Strauss

Don Juan

Ein Heldenlaben (A Hero’s Life)

Tod und Verklärung (Death and Transfiguration)

“Dance of the Seven Veils” from Salome

Complete cycle of tone poems from Smetana’s Má Vlast (My Fatherland)

Má Vlast, Janacek Philharmonic

Other settings of La Montovana, the inspiration for Smetana’s “Moldau” theme:

Original version (1645)

Israeli national anthem

More from Smetana

Overture to The Bartered Bride

String Quartet No. 1 “From My Life”